Agenda

QFest St. Louis Opens Friday at the Hi-Pointe Theatre

QFest St. Louis Opens Friday at the Hi-Pointe Theatre

Just a few weeks ago, Missouri lawmakers met in Jefferson City to discuss the passing of a recent bill that places significant limitations on transgender individuals. Around that same time in St. Louis, another conversation was happening as a result of that bill: How do we maintain the safety of our transgender youth? This conversation

Queer Writes Returns to the Missouri History Museum on June 11

Queer Writes Returns to the Missouri History Museum on June 11

Joan Lipkin with That Uppity Theatre Company and the Missouri History Museum announce the return of Queer Writes: An Evening of Selections by LGBTQ+ Writers in St. Louis for its fourth consecutive year on Thursday, June 11, 2026, at the Missouri History Museum. The event is part of the Museum’s Thursday Nights at the Museum

2026 Regional Pride Guide

2026 Regional Pride Guide

Editor’s note: Tom Epplin is out with his sprawling guide to Pride events across Missouri and the Metro East. Don’t see your event? Plug it in the comments!    Pridefest St. Louis Kickoff Party – June 4, 5:00-8:00pm 4 Hands Brewing Company, 1220 South 8th Street A free community kickoff party featuring a complimentary first

NY Theatre Review: Rheology

NY Theatre Review: Rheology

Rheology. Written and directed by Shayok Misha Chowdhury, in collaboration with Bulbul Chakraborty. A Bushwick Starr, HERE Arts Center, and Ma-Yi Theater Company production. At Playwrights Horizons’ Peter Jay Sharp Theater through May 29. Performed in Bangla and English. 90 minutes, no intermission. As you find your seat, a woman with black hair streaked with

Mall Dreams, Mixtapes, and Midwest Magic: Tiffany Returns to St. Louis

Mall Dreams, Mixtapes, and Midwest Magic: Tiffany Returns to St. Louis

There’s something beautifully defiant about pop nostalgia—especially the kind born under fluorescent mall lights, carried on cassette tapes, and lived out in handwritten fan letters. Few artists embody that era quite like Tiffany. On April 18, 2026, Tiffany brings that legacy—and a whole lot of lived-in authenticity—to River City Casino, sharing the stage with fellow

NYC Theater Review: A Korean American Family Gathering Defined by Ritual and Conflict

NYC Theater Review: A Korean American Family Gathering Defined by Ritual and Conflict

Jeena Yi’s Jesa, directed by Mei Ann Teo and now running at The Public Theater, is anchored by sharply observed characters but hampered by a structure that repeats more than it builds, stretches where it should tighten, and resolves with a neatness that feels at odds with the play’s otherwise compelling messiness. Four estranged sisters

NYC Theater Review: In Antigone, a woman refuses to apologize for her body

NYC Theater Review: In Antigone, a woman refuses to apologize for her body

Anna Ziegler’s Antigone (This Play I Read in High School) at the Public Theater is a show you should see. It is a powerful, performance-driven piece that draws on the ancient tragedy to make a contemporary argument about bodily autonomy and state power. Directed by Tyne Rafaeli, the production grounds the story in recognizable, present-day

NYC Theater Review: A Latina in the State Department Deserves a Bolder Play

NYC Theater Review: A Latina in the State Department Deserves a Bolder Play

Public Charge, a new play by Julissa Reynoso and Michael J. Chepiga, directed by Doug Hughes at the Public Theater, arrives with strong material and a capable production. The staging is clear, the direction disciplined, and the acting consistently solid. It is a story worth telling. The problem is that the writing undermines it, diminishing

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