NY Theatre Review: Rheology

Rheology. Written and directed by Shayok Misha Chowdhury, in collaboration with Bulbul Chakraborty. A Bushwick Starr, HERE Arts Center, and Ma-Yi Theater Company production. At Playwrights Horizons’ Peter Jay Sharp Theater through May 29. Performed in Bangla and English. 90 minutes, no intermission. As you find your seat, a woman with black hair streaked with

NY Theatre Review: The Adding Machine

The Adding Machine. By Elmer Rice, revised by Thomas Bradshaw. Directed by Scott Elliott. At the Theater at St. Clement’s (The New Group). Through May 17. 90 minutes, no intermission. A century ago, Elmer Rice wrote a play about a man who mistakes routine for achievement. Mr. Zero spends twenty-five years adding columns of numbers

In conversation with Fred Wellman

At a time when LGBTQ rights, especially those of trans Missourians, are under relentless legislative attack, it’s not unusual for candidates to show up, say the right words, and move on. What’s less common is someone willing to sit in the discomfort of the moment—and stay there. In a political climate increasingly defined by polarization,

PROMO to Host Event at Platypus on May 13

LGBTQIA+ communities all over the state are rising to meet the moment. At a time when face-to-face connection to our community feels both urgent and powerful, a series of gatherings is working to carve out space for community, visibility, and action across Missouri. PROMO Missouri’s “We’re Queer + We Live Here” series, started in 2024,

NY Theatre Review: Masquerade

A Phantom that moves you through the building as seriously as it moves you through the score. Masquerade is the rare immersive show that remembers it is supposed to be a musical. You move through five floors of a transformed West 57th Street building, and the night still holds together as a story. You are

Inside the Rave Collective MATERIA

In downtown St. Louis a mile away from the Arch, nestled between abandoned warehouses on the North Riverfront District is a small black boarded-up building like any other, with graffiti lining its exterior and bricks falling out of place. But when the lights come on and the garage door opens, Mississippi Underground is revealed. This

Top