Mary Todd Lincoln is having a moment. Cole Escola’s gleefully unhinged portrait of the First Lady built a cult following off-Broadway before arriving on Broadway last season with Tony nominations and audiences already primed to laugh. The show’s success was confirmed at the Tony Awards, where Escola won for Best Actor in a Play and…
The Notebook at the Fabulous Fox Theatre: A Love That Outlasts Time
The Notebook, now playing at the Fabulous Fox Theatre through November 16, is more than a love story. It’s a reminder of how deep connection can last, even when memory fades. Based on Nicholas Sparks’ novel, this stage version could have felt predictable. Instead, it’s beautifully done. The direction by Michael Greif and Schele Williams…
A Conversation with a Legend: Lady Bunny Returns to St. Louis with “Bunny Butchers Broadway”
What started as a formal interview with drag legend Lady Bunny quickly turned into a miniature version of Inside The Actor’s Studio between myself and one of the inspirations behind my own drag career. We talked about the craft of creating a show like her new tour, wigs, and the art of keeping our…
Life of Pi at The Fabulous Fox: A Beautiful Retelling of Trauma, Survival, and Reframed Reality
The curtain has risen on the Fabulous Fox’s season opener Life of Pi, a tour deforce production that does more than just dramatize a shipwreck. It invites the audience into a profound meditation on trauma, memory, and the human capacity to rebuild meaning in the aftermath of disaster. This magical stage adaptation of Yann Martel’s…
Floyd Collins: Beautiful Music, Resonating Underground
A meditation on dreams, ambition, and the price of spectacle. Reviewed by Adam Josephs, Out in STL May 2025, Lincoln Center Theater – Vivian Beaumont Theater The secret to great performance art is that it makes you care about the characters, no matter how abstract or unconventional. Lincoln Center’s revival of Floyd Collins Hooks you…
Review: Real Women Have Curves
Real Women Have Curves is fun. It’s fresh. Everyone on stage is having a great time, and that joy is infectious. The show has no shame about its two major themes: first, that beautiful women often have curves, and second, the immigrant story, specifically the struggle of Latino immigrants living without regular status. In fact,…
Tony Winner: The Spy Who Sang to Me
A brisk, brainy WWII caper with more narrative density than emotional depth. Operation Mincemeat plays like the fever dream of a pub crawl among history nerds. The kind of night that ends with someone pounding out a patter song about Allied disinformation campaigns while the rest harmonize over pints. The result is a clever, chaotic…
Quiet Please, There’s a Lady on Stage
When Bernadette Peters first appears, it’s jarring. She’s visibly trembling. Her voice is uncertain. You worry. It’s a long show. Are we about to spend two and a half hours bracing for heartbreak? But then the Into the Woods medley arrives. You start wondering at the juxtaposition of her playing Little Red Riding Hood, and…
Review: The Great Gatsby looks big and bold, but fails the Coco Chanel test
Coco Chanel famously advised that before leaving the house, one should look in the mirror and take off one thing. The Broadway adaptation of The Great Gatsby could use two or three. It’s still bright and beautiful, offering a fun evening. Fitzgerald’s novel skewered the excesses of the 1920s with lyrical brutality. But onstage…
Review: Tony Winner: Maybe Happy Ending
Never has an intellectual exercise had such heart. The allegory is clear: two adults, deep into the routine of their second act, fighting to remain independent, resisting nostalgia, and yet slowly, inevitably, slipping into the patterns we all recognize. That’s where the play begins. It is the story of two robots trying desperately not to…
- 1
- 2