This Pride Month, Cinema St. Louis and EncoreNOW invite you to experience QFest at Home, a powerful digital showcase of LGBTQ+ cinema exploring identity, resilience, love, and creative expression. From urgent documentaries to daring dramas, QFest at Home is available exclusively on EncoreNOW throughout June. Watch your way – rent the entire QFest at Home…
Culture
Quiet Please, There’s a Lady on Stage
When Bernadette Peters first appears, it’s jarring. She’s visibly trembling. Her voice is uncertain. You worry. It’s a long show. Are we about to spend two and a half hours bracing for heartbreak? But then the Into the Woods medley arrives. You start wondering at the juxtaposition of her playing Little Red Riding Hood, and…
The Little Bevo to Host Drag Benefit for Tornado Victims
On Thursday, May 29, The Little Bevo will host Together We Rise, a heartfelt drag charity event dedicated to those affected by the recent St. Louis tornadoes. This special evening aims to bring together entertainment, compassion, and community action under one roof. The event will showcase performances from some of the city’s most talented drag…
That Uppity Theatre Company and Missouri History Museum to Present a 3rd Queer Writes Showcase of LGBTQ+ Writers on June 5
Joan Lipkin’s wildly successful Queer Writes returns for a third year with an all-new bill on Thursday, June 5, as part of the Missouri History Museum’s Pride Month programming. Confirmed presenters include Paul Cereghino, Cheeraz Gormon, Matthew R. Kerns, Joan Lipkin, Romell Parks-Weekly, Jarek Steele, Diane Richardson and Jeff Truesdell. The Gateway Men’s Chorus will…
Review: The Great Gatsby looks big and bold, but fails the Coco Chanel test
Coco Chanel famously advised that before leaving the house, one should look in the mirror and take off one thing. The Broadway adaptation of The Great Gatsby could use two or three. It’s still bright and beautiful, offering a fun evening. Fitzgerald’s novel skewered the excesses of the 1920s with lyrical brutality. But onstage…
Cinema St. Louis Presents Their 18th Annual QFest, A Celebration of LGBTQ+ Film and Queer Culture
Cinema St. Louis proudly presents the 18th Annual QFest St. Louis, a vibrant celebration of LGBTQ+ film and queer culture. Scheduled from May 27 to June 1, 2025, at the historic Hi-Pointe Theatre, QFest showcases a diverse lineup of contemporary gay cinema, including narrative features, documentaries, and shorts that spotlight the lives of LGBTQ+ individuals…
Review: Tony Winner: Maybe Happy Ending
Never has an intellectual exercise had such heart. The allegory is clear: two adults, deep into the routine of their second act, fighting to remain independent, resisting nostalgia, and yet slowly, inevitably, slipping into the patterns we all recognize. That’s where the play begins. It is the story of two robots trying desperately not to…
Review: Death Becomes Her Is Gorgeously Performed, Wryly Camp, and Strangely Trapped in the Mirror
I had the great good fortune to see Death Becomes Her from the best seat in the house: front row, dead center. It’s my favorite perch because that’s where you get to see the work. The microbeats. The breath work. The sweat, spit, and precision that make up the muscle of live performance. Yes, I…
Supporting Our Supporters: The Missouri Historical Society and LGBTQ+ History
In 1994, the editor of the quarterly magazine of the Missouri Historical Society (MHS), then called Gateway Heritage, had to push hard to bring to publication an article I had written about Rev. Carol Cureton, the Metropolitan Community Church of Greater St. Louis, and the impact the twenty-seven-year-old out lesbian and the nascent “homosexual church”…
Review: Tony-Winning Sunset Boulevard on Broadway Is Electrifying, Unnerving, and Might Be Lloyd Webber’s Best Work
I didn’t expect to come out of Sunset Boulevard thinking it might be my favorite Lloyd Webber score. But here we are. In Jamie Lloyd’s stark new Broadway revival, the music is the emotional architecture. With the sets stripped down to almost nothing,just black walls, projections, and a few brutalist gestures the score becomes the…