Culture

Life of Pi at The Fabulous Fox: A Beautiful Retelling of Trauma, Survival, and Reframed Reality

Life of Pi at The Fabulous Fox: A Beautiful Retelling of Trauma, Survival, and Reframed Reality

The curtain has risen on the Fabulous Fox’s season opener Life of Pi, a tour deforce production that does more than just dramatize a shipwreck. It invites the audience into a profound meditation on trauma, memory, and the human capacity to rebuild meaning in the aftermath of disaster. This magical stage adaptation of Yann Martel’s

Let’s Do the Time Warp Again: Rocky Horror Turns 50!

Let’s Do the Time Warp Again: Rocky Horror Turns 50!

This year marks the 50th anniversary of the cult classic The Rocky Horror Picture Show, and there’s no better way to celebrate than with St. Louis’s own shadow cast, Erotic Nightmares! 🫦 This fabulously weird and wildly entertaining troupe will be hitting three local theaters for a string of unforgettable performances: Chase Park Plaza Cinema

Map of Tower Grove Pride

The Realest Guide to Tower Grove Pride

The Realest Guide to Tower Grove Pride

Since its rebirth in 2013, September’s Tower Grove Pride has been a dearly anticipated cap to STL’s summer Pride festivities. What started as a fête champêtre of neighbors and friends from Tower Grove Park’s surrounding villes sharing a meal and a dance and perusing a handful of artists’ tents has blossomed over the ensuing years.

The Great Unplug: Art in the Age of Disillusionment

The Great Unplug: Art in the Age of Disillusionment

There’s a movement happening quietly, emotionally, almost desperately. I call it The Great Unplug. For Gen Z, the Zoomers, raised on swipe screens and cloud-based everything, ownership is virtual and fleeting. Their books? In the cloud. Their music? Streamed. Their social lives? Curated, filtered, and timestamped. They don’t collect things, because they were never taught

Tai Davis Joins Out In STL Board, Authors New Columns

Tai Davis Joins Out In STL Board, Authors New Columns

Stepping into a new chapter with Out In STL feels like coming home — but with a louder soundtrack and a much bigger dinner table and I’m thrilled to introduce myself. I am Tai Davis, a proud creative, culinary enthusiast, and champion of vibrant, authentic voices. As a new member of the Out In STL

QFest at Home: Queer Stories That Challenge, Heal, and Inspire

QFest at Home: Queer Stories That Challenge, Heal, and Inspire

This Pride Month, Cinema St. Louis and EncoreNOW invite you to experience QFest at Home, a powerful digital showcase of LGBTQ+ cinema exploring identity, resilience, love, and creative expression. From urgent documentaries to daring dramas, QFest at Home is available exclusively on EncoreNOW throughout June. Watch your way – rent the entire QFest at Home

The Little Bevo to Host Drag Benefit for Tornado Victims

The Little Bevo to Host Drag Benefit for Tornado Victims

On Thursday, May 29, The Little Bevo will host Together We Rise, a heartfelt drag charity event dedicated to those affected by the recent St. Louis tornadoes. This special evening aims to bring together entertainment, compassion, and community action under one roof. The event will showcase performances from some of the city’s most talented drag

That Uppity Theatre Company and Missouri History Museum to Present a 3rd Queer Writes Showcase of LGBTQ+ Writers on June 5

That Uppity Theatre Company and Missouri History Museum to Present a 3rd Queer Writes Showcase of LGBTQ+ Writers on June 5

Joan Lipkin’s wildly successful Queer Writes returns for a third year with an all-new bill on Thursday, June 5, as part of the Missouri History Museum’s Pride Month programming. Confirmed presenters include Paul Cereghino, Cheeraz Gormon, Matthew R. Kerns, Joan Lipkin, Romell Parks-Weekly, Jarek Steele, Diane Richardson and Jeff Truesdell. The Gateway Men’s Chorus will

Review: The Great Gatsby looks big and bold, but fails the Coco Chanel test

Review: The Great Gatsby looks big and bold, but fails the Coco Chanel test

  Coco Chanel famously advised that before leaving the house, one should look in the mirror and take off one thing. The Broadway adaptation of The Great Gatsby could use two or three.  It’s still bright and beautiful, offering a fun evening. Fitzgerald’s novel skewered the excesses of the 1920s with lyrical brutality. But onstage

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