LGBTQA

783 total results

Graphic Revolution: American Prints 1960 to Now

Fridays, 10 a.m.-9 p.m. and Tuesdays-Thursdays, Saturdays, Sundays, 10 a.m.-5 p.m. Continues through Feb. 3, 2019

The 1960s were a period of social upheaval and radical change in America, and no art form captured that churning spirit better than printmaking. Printmakers have always had one foot in the commercial art world and one in the realm of fine art, and that hybrid nature allows them to adapt to new technologies and new thinking more quickly than, say, sculptors. Graphic Revolution: American Prints 1960 to Now, the exhibition at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org), is a treasure trove of startling images. Featuring more than 100 works drawn from the museum's holdings and local private collectors, Graphic Revolution includes landmark prints by the big names (Andy Warhol's Campbell's Soup II, Robert Rauschenberg's Signs) and less famous but no less astonishing pieces by modern masters such as Julie Mehretu and Edgar Heap of Birds. The show is open from Sunday, November 11, to February 3. Tickets are $6 to $14, but free to all on Friday. $6-$14, free on Friday

Into the Breeches

Wednesdays-Sundays. Continues through Nov. 18

As World War II rages in Europe and the Pacific, a group of St. Louis women have to keep the home fires burning. Those fires don't just burn wood, though; the ladies all miss going to the theater. With the men at war and the theaters closed for the duration, an idea is hatched. It's time for a new production of Henry V, with an all-female cast storming Agincourt. George Brant's comedy Into the Breeches! makes its St. Louis debut as part of Shakespeare Festival St. Louis' In the Works program. The family-friendly play A Most Outrageous Fit of Madness (inspired by The Comedy of Errors) and two staged readings of Michael Saenz's The Thousand Natural Shocks round out the program. Into the Breeches! runs Wednesday through Sunday (October 28 to November 18) at the Grandel Theatre (3610 Grandel Square; www.sfstl.com). Tickets are $25 to $55. $25-$55

Grandel Theatre (map)
3610 Grandel Square
St. Louis - Grand Center
phone 314-533-0367
Into the Breeches

Kehinde Wiley: Saint Louis

Fridays and Tuesdays-Thursdays, Saturdays, Sundays. Continues through Feb. 10, 2019

Artist Kehinde Wiley leaped into the public consciousness when his presidential portrait of Barack Obama was unveiled in February, but he's been making vital work that explores the nexus of race and representation for years. In 2017 the New York City-based Wiley visited the Saint Louis Art Museum to review the collection with an eye toward a future exhibit inspired by the historic style of portraiture. While he was in St. Louis, Wiley went to north St. Louis and Ferguson to meet with people and find subjects for his own paintings. Kehinde Wiley: Saint Louis is an exhibition of eleven large-scale paintings of everyday black St. Louisans dressed in modern clothing, posed in the manner of kings, statesmen and other powerful figures. Wiley's new work will be on display in galleries 249 and 250 from October 19 to February 10 at the Saint Louis Art Museum (1 Fine Arts Drive; www.slam.org). Admission is free. free admission

Muny Memories: 100 Years on Stage

Through June 2, 2019

The Muny is just about to open its landmark 100th season, and its neighbor, the Missouri History Museum (Lindell Boulevard and DeBalivere Avenue; www.mohistory.org), celebrates the occasion with an exhibit dedicated to the history of America's largest outdoor theater. Muny Memories: 100 Years on Stage features exhibits that explain the founding of the theater, display favorite memories from stars and staff, and give a look back stage to see how the dedicated technical crew creates and rigs all those sets and lights. You can also take a look at programs from the Muny's long, storied past. Muny Memories opens on Saturday, June 9, and remains on display daily through June 2, 2019. Admission is free. free admission

Missouri History Museum (map)
Lindell Blvd. & DeBaliviere Ave.
St. Louis - Forest Park
phone 314-746-4599
Muny Memories: 100 Years on Stage

Panoramas of the City

Through March 24, 2019

In a year in which the Missouri History Museum exhibition team has given us the stories of St. Louis' greatest civil rights freedom fighters and returned us to the glory days of Route 66, it would take something truly spectacular for the museum to outdo itself — and yet somehow it's done just that. The museum's new exhibition, Panoramas of the City, is as close to time travel as you can get without involving Morlocks. The show comprises seven floor-to-ceiling size images of scenes such as Charles Lindbergh speaking to a crowd of 100,000 people on Art Hill at his "welcome home" party and a 1920 march on Olive Street by the League of Women Voters. These massive photographs are joined by props and interactive media displays that give viewers a better understanding of the historical context of each scene. More than 60 panoramas of various sizes round out the exhibit, which will be on display from September 2 to March 24, 2019, at the Missouri History Museum (Lindell Boulevard and DeBaliviere Avenue; www.mohistory.org). free admission

Missouri History Museum (map)
Lindell Blvd. & DeBaliviere Ave.
St. Louis - Forest Park
phone 314-746-4599
Panoramas of the City

The Immigrants: Works by Master Photographers

Saturdays, 10 a.m.-2 p.m., Wednesdays-Fridays, 12-5 p.m. and Tuesdays, 12-8 p.m. Continues through Jan. 12, 2019

America's long history of welcoming new arrivals to Team USA is celebrated in the exhibition The Immigrants: Works by Master Photographers. From the earliest days of photography in the 1890s, when Ellis Island clerk Augustus Frederick Sherman began documenting immigrants with his camera, to today, when Italian photographer Alex Majoli captures the crisis of refugees trying to survive the ocean crossing from Africa to Greece, the exhibit shows the people who fled their homes in search of safety. The Immigrants doesn't shy away from the worst moments; Dorothea Lange's suppressed photograph of Japanese Americans in a U.S. internment camp during World War II is part of the show, as are more ennobling images made by Lewis Hine and Bob Gruen. The Immigrants opens with a free reception from 5 to 7 p.m. Friday, October 5, at the Sheldon (3648 Washington Boulevard; www.thesheldon.org). The show remains up through January 12. free admission

Buy Tickets
The Sheldon (map)
3648 Washington Blvd.
St. Louis - Grand Center
phone 314-533-9900
The Immigrants: Works by Master Photographers

Lola Álvarez Bravo: Picturing Mexico

Wednesdays, Thursdays, Saturdays, 11 a.m.-5 p.m. and Fridays, 11 a.m.-8 p.m. Continues through Feb. 16, 2019

Lola Álvarez Bravo was a Mexican artist, educator and curator whose life spanned nearly the entire twentieth century. From the 1930s to the 1970s, Álvarez Bravo crisscrossed her way across the country with camera in hand, creating portraits of other working artists. Always shooting, she also made images of regular people and the architecture — both old and new — at a time when Mexico was rapidly growing and transforming. Lola Álvarez Bravo: Picturing Mexico, the new exhibition at the Pulitzer Arts Foundation (3716 Washington Boulevard; www.pulitzerarts.org), features more than 40 of her black-and-white photographs in all their glory. Picturing Mexico opens with a free reception from 6 to 9 p.m. on Friday, September 14. Also debuting the same night are more than 60 sculptures by Ruth Asawa, who often worked with wire. Both shows remain on display through February 16. The Pulitzer is open Wednesday through Saturday. free admission

Pulitzer Arts Foundation (map)
3716 Washington Blvd.
St. Louis - Grand Center
phone 314-754-1850
Lola Álvarez Bravo: Picturing Mexico

Sanford Biggers and Basquiat Before Basquiat: East 12th Street, 1979-1980

Wednesdays-Sundays. Continues through Dec. 30

The Contemporary Art Museum St. Louis opens some of the most ambitious and vital shows in its history this month, with a series of exhibitions by, and about, black artists and the black experience. Sanford Biggers works directly with the materials of his forebearers — quilts and African sculptures — only he reshapes and repurposes them as contemporary statements about black identity, history and trauma. Biggers gives found quilts new life with new handwork, encoding personal messages into their original pattern. The fact that the work of an anonymous black craftsman or woman now appears in galleries and museums around the world, even in Biggers' modified form, is both subversive and celebratory. With wooden sculptures, some of which are copies, he dips them in wax and then works them over with firearms. What begins as a statue of a human or human-shaped supernatural being becomes obscured, disfigured and unrecognizable through the violence wrought upon it.

In addition to Biggers' work, CAM presents a show of the private photos of Jean-Michel Basquiat. Basquiat emerged from the New York City hip-hop/punk/graffiti scenes in the 1970s as one-half of the graffiti duo SAMO, along with Al Diaz. The pair together tagged buildings with cryptic phrases denouncing the establishment, politics and religion, always signed "SAMO" (an acronym for "Same Old Shit"). When the duo broke up, Basquiat performed in the noise rock band Test Pattern (later named "Gray") with Vincent Gallo and Michael Holman. He lived on the streets, sold drugs and experimented with Xerox art, painting and drawing. Basquiat Before Basquiat: East 12th Street, 1979-1980 will showcase everything the artist made while living in a small East Village apartment with his friend Alexis Adler before he hit the big time. It's a treasure trove of paintings, sculptures and works on paper, as well as Adler's photographs of his friend.

Both exhibitions open with a free reception from 7 to 9 p.m. Friday, September 7, at the Contemporary Art Museum St. Louis (3750 Washington Boulevard; www.camstl.org). The shows continue through December 30.

free admission

All Is Calm

Thu., Nov. 15, 8 p.m., Sundays, 2 & 5 p.m., Fridays, Saturdays, 8 p.m. and Thursdays, 8 p.m. Continues through Dec. 16

On November 11, 1918, World War I ended after four exhausting years of destruction and unimaginable horrors. But even in the worst of times, humanity's innate decency can shine through the darkness on occasion. During the first year of the war, Christmas morning was marked by an official cease-fire on both sides. On the front lines troops from both sides of the conflict crossed No Man's Land to celebrate the holiday with their erstwhile enemies. Carols were sung, gifts were exchanged and a spontaneous game of soccer kicked off. All Is Calm, the Peter Rothstein, Erick Lichte and Timothy C. Takach a cappella musical about that quiet morning when brotherhood won out, has been a favorite with Mustard Seed Theatre audiences since the company first presented it in 2014. It's back again at Mustard Seed to mark the centenary of the last day of the War to End All Wars. Performances are at 8 p.m. Thursday through Saturday and 2 and 5 p.m. Sunday (November 16 to December 16; no show on Thursday, November 22) at the Fontbonne Fine Arts Theatre (6800 Wydown Boulevard; www.mustardseedtheatre.com). Tickets are $15 to $35. $15-$35

Fontbonne University Fine Arts Theatre (map)
6800 Wydown Blvd.
Clayton
phone 314-862-3456
All Is Calm

Doctor Faustus

Thursdays-Saturdays, 8 p.m. Continues through Nov. 17

Christopher Marlowe was a contemporary of William Shakespeare, and Marlowe's plays were a large influence on Shakespeare's own. Of course, Shakespeare's work greatly eclipsed Marlowe's in popularity, consigning him to the past. Doctor Faustus is undoubtedly Marlowe's most famous play still — perhaps because of a persistent legend that actual devils appeared on stage during a sixteenth-century performance. John Wolbers has adapted the script for the modern era, while still keeping much of the original's poetry. Now the female Doctor Faustus is disgusted by the rampant abuse of power and position of the world's leaders, and so enters into a contract with the devil. She plans to use her new power for good, to save the weak and bring mercy to the world. But ultimate power has a nasty effect on the human soul, even when it's a noble one. Slightly Askew Theatre Ensemble presents Doctor Faustus at 8 p.m. Wednesday through Saturday) October 31 to November 17 at the Chapel (6238 Alexander Drive; www.slightlyoff.org). Tickets are $15 to $20. $15-$20

The Chapel (map)
6238 Alexander Dr
Clayton Doctor Faustus

The Great Seduction

Thursdays-Saturdays, 8 p.m. and Sundays, 2 p.m. Continues through Nov. 18

The great Alexandre Dumas began his writing career in the theater as a dramatist, with the occasional comedy as well. His Mademoiselle de Belle Isle was a five-act farce about lovers and a seduction contest. Vladimir Zelevinsky has loosely adapted and condensed the story down to a more manageable length in the two-act comedy, The Great Seduction. It's about a duke and countess who are paramours (but not exclusive), and Gabrielle, a fresh country girl just arrived in Paris. The duke is immediately taken with her, while the countess has set her sights on the handsome Raoul. Incensed by the young competitor's presence, the duke bets Raoul he can seduce the first woman he sees. Care to guess who shows up? (It's Raoul's fiancee, Gabrielle.) West End Players Guild presents the bedroom farce The Great Seduction at 8 p.m. Thursday through Saturday and 2 p.m. Sunday (November 9 to 18) at the Union Avenue Christian Church (733 North Union Boulevard; www.westendplayers.org). Tickets are $20 to $25. $20-$25

Square's Fall Pop-Up Emporium

Thu., Nov. 15, 11 a.m.-2 p.m.
phone 636-352-5111
[email protected]
, ,

An outdoor market featuring 35+ specialty vendors, food trucks, live music, free make & takes and great fall weather!

https://www.facebook.com/events/281367602586653/
Cortex Commons (map)
4270 Duncan Ave.
St. Louis - Forest Park
phone 314-254-3326

Jorge Sánchez: The Making of Three Gardens

Thu., Nov. 15, 2-4:30 p.m.
phone 845-424-6500
[email protected]

Illustrated lecture, “The Making of Three Gardens,” with landscape designer Jorge Sánchez in the Missouri Botanical Garden's Spink Pavilion, following a reception and book signing. Sánchez’s talk, featuring photographs by Andre Baranowski, will focus on three of his recent private garden projects—two in Florida and one in Scarsdale, New York—that were featured in his book, The Making of Three Gardens (Merrell Publishers, October 2017). $30 Garden Conservancy members; $35 nonmembers

https://www.gardenconservancy.org/education/education-events/making-of-three-gardens-st-louis
Hammerstone's (map)
2028 S. 9th St.
St. Louis - Soulard
phone 314-773-5565
Hammerstone's (map)
2028 S. 9th St.
St. Louis - Soulard
phone 314-773-5565
Showing 1-15 of 783 total results in this search.
Top